Ravage

2024. Edition.

This reissue of Ravage by René Barjavel aims to present the story in a new way to serve an original concept. Inspired by travel journals and archives from a bygone era, it offers a contemporary perspective by highlighting the utopias and realities of the 1940s that the book denounces. Designed in the spirit of Arte Povera, I used scans of my own edition to create a modest layout, emphasizing the materiality of the original book. The grayscale palette of the three editions is occasionally enhanced with orange-toned photographs, evoking the destructive fire described in the story.

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L'Enfant & les Sortilèges

2024. Opera Set.

The opera L’Enfant et les Sortilèges by Colette and Ravel, directed by Vincent Vittoz at the Conservatoire of Boulogne-Billancourt, offers a fresh take on the story. Set in a contemporary school environment, the child endures mistreatment from both teachers and classmates. To enrich the stage performance, we created animations and projected visuals inspired by Colette’s universe, giving form to the Child’s inner thoughts. These digital projections, synchronized with the orchestra and filling the stage as animated sets, were performed live by our team. I created three sequences, each with a distinct visual world, to illustrate the ending of the show.

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Dark Room

2025. Video Mapping.

A volumetric projection setup created as a duo, offering an immersive experience in a dark room. The narration was guided by the music, with visuals that reacted to sound using the software Resolume. The graphic approach aimed to immerse the viewer in a poetic universe, inspired by the passage of time in nature, blending organic and digital elements.

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Memento Mori

2023. Board game.

Creation of a board game that invites players to take on the roles of pirate crew members, whose mission is to move through different areas of the ship to repair leaks and prevent a traitor from seizing the precious loot. As a group of six students, we designed and crafted the game board and pieces using engraving and laser-cutting techniques. The game was then playtested in real conditions during multiple game sessions.

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Madfest

2024. Typographic design posters.

This fictional music festival served as a playground for typographic experimentation through the creation and public display of a series of posters in the streets of Boulogne-Billancourt. Robin Abreux, graphic designer and typographer, led this two-day workshop dedicated to exploring lettering on poster formats. By working with various mediums such as scratch cards, clay, paint, and markers, we experimented with different approaches, combining spontaneity with stencil-based design. The posters were then displayed in public spaces.

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The Brigade

2024. Lettering stamps.

A personal experiment with typography, aiming to create a series of stamps that allow for the composition of posters. Made using a laser cutter, these stamps were designed to offer modularity and freedom in typographic arrangement. On my side, I created a series of typographic posters based on culinary expressions related to love. Each poster illustrates an expression, forming an experimental collection that evokes the world of a kitchen brigade, where words simmer, are cut, and assembled like the ingredients of a graphic recipe.

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Olympic Pictogram Workshop

2024. Edition.

For the Paris 2024 Olympics, I designed an educational workshop for children focused on creating sports pictograms. Each pictogram was designed to be cut with scissors from shapes that easily fit together, recognizable by their distinct colors. The design of the edition was specially thought out for child-friendly handling, ensuring safety while promoting autonomy through spiral binding. Detachable colored sheets are integrated, allowing the workshop to be both fun and interactive, with no additional materials required.

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Alice

2024. Oracle card deck.

This deck of 10 illustrated cards reinterprets the world of Alice in Wonderland through the codes of the Marseille Tarot. Each card encapsulates a key moment from the story, blending symbolism, staging, and visual narration. Inspired by the tarot's arcana, the compositions play with scales, perspectives, and details to invite a contemplative reading. This edition is not strictly a game, but rather an illustrated gallery that overlays narrative and graphic interpretation, offering a sensitive re-reading of Lewis Carroll's tale.

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Riso, graphic

2023. Printing guide.

L'Atelier Quintal in Paris entrusted us with the creation of a fanzine explaining the history and process of risography. In collaboration with Serena Taleb, we designed this printing guide for beginners, incorporating a fold-out poster illustrating the specifics of this technique. Inspired by the style of Christopher Wool, we adopted an aesthetic combining stencil letters, floral patterns, and deliberate smudges. Printed in a two-color scheme of green and purple, in a limited run of 25 copies, this mini-edition was distributed to the workshop's clients and visitors, providing them with a visual resource to better understand and appreciate risography.

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Lace Doily

2025. Screen printing.

As part of an introduction to screen printing, I designed an illustration representing forgetfulness and the passage of time, using a scanned doily and bitmap embroidery, symbolizing the transition between craft and digital techniques. Some details emphasize the idea of gradual erasure, illustrating how memory fades over time. I then adapted the posters onto t-shirts, experimenting with printing on fabric in addition to paper.

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Pinky Pages

2024. Magazine.

Based on a series of photographs, I created an experimental magazine inspired by an ultra-feminine universe, blending various graphic styles. Beyond composition grids, I wanted to explore a bold layout, playing with contrasts, textures, and typography. I then modeled the magazine in 3D and created an animation showcasing its pages and aesthetic.

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Marshall

2023. Photo and Video Campaign.

This project imagines a fictional campaign for the Marshall Major IV headphones, celebrating their sound quality that closely resembles a live concert experience. I created a short urban, autumnal film, shot on a camcorder for a retro and intimate aesthetic, with the band Cigarette After Sex as the soundtrack. The video alternates between everyday life scenes and concert footage, reinforcing the idea of musical immersion. The project is complemented by a multi-platform campaign: posters, studio photos, and social media content, creating a cohesive universe around the Marshall experience.

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Mr. Klein

2024. Opening credits.

As part of creating the opening credits for the film Monsieur Klein, my intention was to visually translate the events leading up to the film’s plot from 1976. My credits sequence uses real archival footage from World War II. In black and white, my shots illustrate what was happening at the time in the French capital. I chose to show what is occurring in the background of the protagonist to emphasize the collective fate of the Vel d'Hiv roundup. To build tension before the roundup, the pace accelerates at the end to intensify the suspense, foreshadowing the tragedy to come and the inevitability of the events. This montage also includes shots filmed by me, with yellow typography evoking the Jewish star.